jacob t. middleton, assoc. aia




work

architectural
  1. breaking character
  2. cruising rhyolite
  3. performitory
  4. purple plushy catwalk
  5. holly haus
  6. chronicles out west
  7. at journey’s end
  8. made in asherton
  9. intakes/outtakes
  10. a sanctuary
theatrical
  1. the vanya project
  2. topdog/underdog
  3. drowning
  4. the tempest



about

  1. jacob t. middleton is a Texas native currently based in New York City. he holds a Bachelor of Architecture from The University of Texas at Austin School of Architecture and has studied at New York University Tisch School of the Arts in the Graduate Department of Design for Stage & Film. his work has been featured by Texas Architect Magazine, ISSUE by UTSOA, and Archisource.
  2. professionally, jacob is an architectural and broadcast set designer at Clickspring Design. previously he has collaborated with dots, Overlay Office, Magic Architecture, and Hannah Levy, among others.
  3. he is interested in creating work at a variety of scales that investigates performance, explores bad taste, embraces low culture, and questions existing typologies.



contact

  1. jtmidd2021(at)gmail.com
  2. instagram
  3. linkedin
  4. academic portfolio

a sanctuary

storytelling through architectural promenade

Angel Island, often referred to as the “Ellis Island of the West”, is a politically charged site with a dark history. The Angel Island Immigration Station was constructed in China Cove in the year 1905. Here in China Cove, the United States government would control the influx of immigrants coming from the west for several decades.

The immigration station dealt primarily with Chinese, Japanese, and other Asian immigrants who sailed across the Pacific Ocean. These individuals, seeking to gain entry into America, were inspected, interrogated, disinfected, and detained. For certain individuals, this detainment process could last as few as two weeks, but some people experienced detainment for longer than two years. The treatment of these individuals was dehumanizing, brutal, humiliating, and inhumane. Because of this, many detained immigrants passed away within the walls of the immigration station in China Cove and several of these individuals took their own lives. In 1940, the immigration station’s administration building was destroyed in a great fire. That same year would be the last time immigrants would pass through Angel Island for processing.

Today, Angel Island is recognized as a California State Park and attracts tourists from around the world, but the site’s haunted past is often overlooked.

a sanctuary is sited directly adjacent to the existing foundation of the former administration building. The existing foundation is symbolic of the pain and suffering that occurred on this site while the sanctuary symbolizes hope and new beginnings. In an attempt to reclaim the history that has been lost on this sensitive site, an occupant passes along this foundation before entering into the sanctuary space. Directly engaging with the history of place forces one to consider their own journey and that of those that came before them.


project information
location: angel island, california
date: 2018
type: research, cultural, competition


credits
project team: jacob t. middleton



     

         






compress; as visitors enter into the building, they file into a very cavernous space which admits traces of light through small slits and clerestory windows. Symbolizing the fear and subsequent bravery of immigrants, this space is used primarily for individual reflection.



ascend; after contemplation, one is faced with a series of spaces that filter light through wooden scrims. As more and more light permeates the building, a sense of hope arises and one is able to rise above ground level.



release; upon reaching the main gathering space, occupants are thrust into a very bright and open auditorium with panoramic views facing the San Francisco Bay. The bright performance hall celebrates new beginnings and calls one to question the experiences that brought them here.


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